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Table Top Racing World Tour (TTR World Tour) Game and Soundtrack

We are extremely proud to announce our involvement in Tabletop Racing World Tour from Playrise Digital.  The super fun combat racing game is now available on Sony Playstation PS4.  The game is FREE on the Playstation Store  during the month of May.


TTRWT_PlaystationStore_Launch_2016-05-03, Wes Smith, Juice Recordings, Bring Back That Funk, Califunkya, Deibeat, Dirty Kicks, DubAxFace, Dub Pistols, DJ Fixx, G$Montana, Low End Hustler, Mutantbreakz, Omega Squad, Short Stack, The Bomb Squad, White Boy Awesome, Fantomas, Gigabeat, IBWT Music, Juice Recordings, Punks Music, Sunday Best, The Pooty Club, Sumo Fish, Playrise Digital, USA, San Diego, California, Liverpool, London, England, UK, Spain, Russia,

The Official Soundtrack features artwork by Sumo Fish and music by Wes Smith & a gaggle of friends including Deibeat, Dirty Kicks, DubAxFace, Dub Pistols, DJ Fixx, G$Montana, Low End Hustler, Mutantbreakz, Omega Squad, Short Stack, The Bomb Squad, White Boy Awesome.  Also FREE on Soundcloud for a limited time.  Official game info below along with complete track listing of free and forthcoming jams.  More highlights coming soon;)


MASSIVE FUN ON A MICRO SCALE!

COMBAT RACING HAS NEVER LOOKED SO GOOD OR BEEN SO MUCH FUN.

TTRWT_PlayriseGameSite_NoMenu_2016-05-03, Wes Smith, Juice Recordings, Bring Back That Funk, Califunkya, Deibeat, Dirty Kicks, DubAxFace, Dub Pistols, DJ Fixx, G$Montana, Low End Hustler, Mutantbreakz, Omega Squad, Short Stack, The Bomb Squad, White Boy Awesome, Fantomas, Gigabeat, IBWT Music, Juice Recordings, Punks Music, Sunday Best, The Pooty Club, USA, San Diego, California, Liverpool, London, England, UK, Spain, Russia, Sumo Fish

Table Top Racing: World Tour is the brand new, high octane, combat racer.

Get behind the wheel of 12 ultra-cool, fully tuneable miniaturised racing cars and take on 20 race tracks and some devious opponents through a comprehensive ‘Championship Mode’ and a multitude of ‘Special Events’. Get online for an 8 player battle and become the ultimate Table Top racer! Crush your enemies using cunning ‘Power-ups’ and unique ‘Wheel Weapons’ and blast your way to victory! Micro-car, combat racing has never looked so good or been so much fun.

★★★ KEY FEATURES ★★★

8 Player PvP multiplayer combat racing

6 Unique gameplay modes spread throughout the Championships

90+ Unique race events to challenge your skills

20 Table Top race tracks set around 5 themed locations (4 routes per location)

Exclusive YO!Sushi Raceway track

12 Super-cool micro cars – Inspired by some of the world’s most iconic cars

8 Cunning, strategic, “Power-Up Weapons”

6 Super-powerful “Weapon Wheels”

20+ Track exclusive soundtrack by Breakbeat producer Wes Smith of Juice Recordings, San Diego.


JR1609_TTRWT_Official_Soundtrack, Deibeat, Dirty Kicks, DubAxFace, Dub Pistols, DJ Fixx, G$Montana, Low End Hustler, Mutantbreakz, Omega Squad, Short Stack, The Bomb Squad, White Boy Awesome,, Sumo Fish

SN Title Artist Remixer Label
1 Bash Me Wes Smith Juice Recordings
2 Bring Back That Funk Wes Smith, White Boy Awesome Juice Recordings
3 Do Ya Wanna Get Funky (Low End Hustler Remix) Wes Smith Low End Hustler Juice Recordings
4 Do Ya Wanna Get Funky With Me Wes Smith Juice Recordings
5 Everybody Git Down Wes Smith, White Boy Awesome Juice Recordings
6 Feel The Break (Wes Smith’s Booty Juice Remix) Mutantbreakz Wes Smith IBWT Music
7 Fresh (Wes Smith’s Superfresh Reglitch) Omega Squad Juice Recordings
8 G Spot G$Montana Gigabeat
9 Hands Up Wes Smith Juice Recordings
10 Hip Hop We Don’t Stop Wes Smith Juice Recordings
11 Hot Beats Wes Smith Juice Recordings
12 Killa Sound (Wes Smith Remix) Dub Pistols Sunday Best Recordings
13 Make It Clap Wes Smith, Short Stack Juice Recordings
14 Make It Clap (Low End Hustler Remix) Wes Smith, Short Stack Juice Recordings
15 Mister Funky Wes Smith Juice Recordings
16 Modern Girls (Wes Smith’s Dirty Juice Remix) The Bomb Squad Wes Smith Fantomas
17 Ohhhh Yeahhh Feat. Shana Rockit (DJ Fixx Remix) Wes Smith, The Juice Squad Juice Recordings
18 Pig Bang (Wes Smith’s Calibumpya Remix) DubAxFace Juice Recordings
19 Put Ya Hips In It (DJ Fixx Remix) Wes Smith, Low End Hustler DJ Fixx Juice Recordings
20 Rhythm Is Love (Wes Smith’s Calipunkya Remix) Deibeat Wes Smith The Pooty Club
21 Shake That Dirty Kicks Juice Recordings
22 She Goes Like Short Stack Juice Recordings
23 She Goes Like (Wes Smith’s Califunkya Remix) Short Stack Wes Smith Juice Recordings
24 That Funky Disco Wes Smith Juice Recordings
25 The Tribe Wes Smith Punks Music
26 This Party’s Out Of Control Dirty Kicks Juice Recordings
27 This Party’s Out Of Control (DJ Fixx Remix) Wes Smith, Dirty Kicks DJ Fixx Juice Recordings
28 Too Much Wes Smith, White Boy Awesome Juice Recordings

The Discos of Tron Release by Justin Johnson (Remixes by Wes Smith, discObeta, Fire-Beat and DJ Loryn)

“The Discos of Tron” is the new release by Justin Johnson (with remixes by Wes Smith, discObeta, Fire-Beat and DJ Loryn). I sat down with the owner of the distributor label Barely Legal Records, Justin Johnson, to see what the heck a Disco of Tron was anyway and what led him up to this release.

Tell me a little background on Barely Legal Records:

I started in late 1990’s working at Satellite Records in NYC.  I had always played all styles but I was known for breaks and needed an outlet to put my music out.  I had a good resell perspective, knew many contacts and had good info on how it all worked, so I brought my skills to the table and my Dad funded the 1st two releases on vinyl.

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How do you pick your label artists? 

The thought behind all of them is to put out my own music but also for friends of mine in a casual low-key way. We are not trying to be a big label, I enjoy doing my own thing by supporting the music of friends and family as well as some artists where we have built up good relationships. If I get a demo from someone I don’t know well then I might have someone I know do a remix and package the whole thing.

What is a Disco of Tron?

Part of it came from when the second Tron movie came out and Daft Punk was djing in the club reminded me of the old stand up game from the 80’s… The Discs of Tron. It was a nod to something I loved as a kid growing up – contemporary but with an old school flavor. You can hear that crunchy hip hop inspired breaks on the discObeta version you can hear the East Coast similarities that you would hear back at Limelight back in the day. Wes Fire-Beat and DJ Loren provided completely different flavors and spins with their contributions to the release.

discos of Tron

How did you choose Wes Smith for his remix contribution?

Wes and I knew of each other being involved in breaks on the East Coast and both living in NYC. For me it was awesome to see someone from back in the day holding it down and becoming successful. It’s on a whole other amazing level, I couldn’t be happier for him. He played one of our Faultline parties (actually the same one you and I played with DJ 138) and we started to build a friendship at that point. He played another Faultline event recently and from there we started talking about a remix option for BLR. It’s hard to get the artists involved after they have been paid, Wes is adding additional value to his product, which is something artists should learn from. I was really excited when you contacted me because I knew that another dimension to the release would be coming in the future.

Any advice to producers out there wanting to submit to labels? Yours or others?

Spend a lot of time making your track sound as good as you possibly can in your chosen DAW. Whatever your friends tell you – don’t listen to them unless they have at least a somewhat professional perspective. It’s because no matter what you make they will be positive because they love you and want to give positive feedback. The reality is that there is SO much noise (literally thousands of releases every week) you really have to figure a way to stand out musically. Not just key changes, but also how good the whole package is and it has got to sound original – it’s not easy. Also, no one is really making money producing tracks so don’t put a down payment on the mansion on your first release. Add value to your production skills by realizing that as an artist you are in the public eye. Basic social media maintenance shows you are active and that you care. Unless you are insanely talented and you do none of that, no one will know about you. Find an artist you respect and admire, follow their model and adjust it with your own voice and have it come from your heart. What works for them?
Ask yourself: What is it you think you have done to make you deserve the attention out of the 1000’s of tracks that are put out each day/week/month? Justin_Johnson_washed_out

You are living a lifetime of passion for music, are there any other words you want to say to all the music lovers and breakers out there?

Yes! Be kind to animals and be funky as fuck people! Those who truly love breaks need to continue to get the word out and preach the breakbeat gospel. It’s a genre that ebbs and flows in popularity but it is well back on the rise, which is great to see. I would like to see it maintain a certain plateau and it is  up to all of us involved whatever level to bring it to the masses. If you are a dancer tell your friends about it… share a link, drag a friend out, don’t assume they won’t like it. Same for DJs, producers, everyone whatever your level/involvement. Start a monthly – do something! Back when we started “Faultline” [breakbeat monthly with DJ 138 and Eric Riggsbee] we knew there were fans out there and we were right the fans do exist. You just have to hustle and find them!

Also we just finished up our 2nd installation of “Foundation”, [drum & bass and breaks monthly we do with the Dystopia crew] with Submorphics. We are building a following in broken beats on all levels.  It’s a small venue with good sound and an indoor/outdoor space with breakbeats under the stars. The food is actually really good and the staff is great…we couldn’t ask for more.

This coming Saturday (Sept. 19, 2015) we’re doing a special SF edition of Faultline at Underground SF (the old Top on lower Haight) with guests ShOOey and BENN BA$$. No cover. 21+. 9pm-2am.

Rob Analyze of Jamvana hits Wiggle 9/19 with Wes Smith, Omega Squad and SpeakerGhost

BOOM! Thought it was over after Burning Man? Nope, Agent 137 continues her missions to talk with industry leaders to gather important intelligence. This intelligence is meant to bridge Wes Smith’s audiences together with knowledge of what other promoters/labels/artists are doing in other parts of the country and around the world. This particular mission was to speak with Robert E. Leigh (Rob Analyze), owner of Jamvana, to hear what he is doing with this project and hype up this weekend’s Wiggle in San Diego:

Wiggle - Analyze

Who is Rob Analyze?

analyze

What is Jamvana?

Jamvana started as a music retailer in 2008 and in 2011 we began to focus on becoming a content platform to deliver content to music retailers. We have about 400 labels and 1000 artists that we do artist & label branding focus. Our focus is on marketing in motion and revenue and we are always going toward the cutting edge of what is next.

What is next for Jamvana?

We are focusing on development, creating apps, VST Plugins and also becoming a leader in the sample pack world.

jamvana3Tell me why streaming is the future:

It’s changed from 10 years ago. You used to be able to throw a tune on Beatport and sell 1000 units. It’s become over saturated with producers and it’s just not as easy to find good music as it was before plus attention spans are shorter so the life of a tune is much shorter. Also apps like Spotify and being able to DJ off a stream has changed the game. We want to push good artists on a quality stream to both monetize for us/them and give the music consumer a better product. We can also then move to app growth, license it out and then offer quality customer support.

Jamvana

 

How did Jamvana and Wes start working together?

We love what Wes is doing and want to help him succeed. Juice Recordings is one of our first labels and Wes as an artist that is on point with every aspect of his game right now. Juice is doing everything a label should be doing and more . It’s hard for an artist to accomplish what he has (and continues to do so) and it’s what we look for as a company and ally in the industry.

Robert is the owner of Jamvana and is also known as the artist Rob Analyze. He has been a part of the scene for years and is heavily involved in several projects in addition to Jamvana. You can check him out at Wiggle this weekend in San Diego and if you are not in the area, click below and check out his Soundcloud.

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Thank you for your input, Robert- we appreciate what you do for our scene to make it better and look forward to what you bring to is in the future.

Related links:  [Wiggle Facebook Event] [Soundcloud: Rob Analyze]  [Juice Recordings Website: Free Stuff] [Jamvana Website] [Facebook: Jamvana]